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RME Fireface 802 FS Audio Interface

60-Channel High-end 192 kHz USB Audio Interface

The Fireface 802 FS is a highly integrated pro audio solution for live and studio use, designed for users who require high-end audio recording, rock-solid stability and ultra-low latency operation, as well as an unrivalled professional feature set.

Part No:

RME-FIREFACE-802-FS

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£1,499.00 £1,249.17

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Description

Alongside 60 channels (30 inputs / 30 outputs) of analogue and digital I/O, the Fireface 802 FS benefits from newly developed analogue and digital circuitry with improved performance, as well as a host of professional features.

Like all RME audio interfaces, the Fireface 802 FS benefits from TotalMix FX, RME's digital high-end mixer and signal router. Driven by powerful DSP with integrated EQ, Dynamics and Reverb/Echo effects at up to 192 kHz, plus a built-in monitoring controller, TotalMix FX offers powerful, flexible control of all audio channels.

The full-blown feature set also includes optional Class Compliant mode and operation with TotalMix FX for iPad, RME's app to fully control the 802 FS from the iPad, without any computer. The easy-to-use app includes metering for all 60 channels plus effects bus, different setup screens, and complete control of all features.

Features

30 Input / 30 Output channels
12 x Analogue I/O
4 x Mic/Instrument Preamp
1 x AES/EBU I/O
2 x ADAT I/O (or 1 x ADAT I/O plus 1 x SPDIF I/O)
1 x Word Clock I/O
1 x MIDI I/O
SteadyClock FS
TotalMix FX
5 Year Warranty
Optional: ARC USB (Advanced Remote Control)

Specification

More Information
Specification	AD, Line In 1-8, rear Input: 6.3 mm TRS, electronically balanced Signal to Noise ratio (SNR) @ LoGain: 116 dB (AES17), 118 dBA Signal to Noise ratio (SNR) @ +4 dBu: 115 dB (AES17), 117 dBA Frequency response @ 44.1 kHz, -0.1 dB: 8.9 Hz – 20.4 kHz Frequency response @ 96 kHz, -0.5 dB: 4.3 Hz – 45.2 kHz Frequency response @ 192 kHz, -1 dB: 3 Hz – 89 kHz Filter: Short Delay Sharp, 5 / 5 / 6 samples delay THD @ -1 dBFS: < -120 dB, < 0.0001 % THD+N @ -1 dBFS: < -110 dB, < 0.00032 % Channel separation: > 110 dB  Maximum input level: +19 dBu Input: 6.3 mm TRS jack, electronically balanced Input impedance @ 1 kHz: 10 kOhm unbalanced, 10.6 kOhm balanced Input sensitivity switchable between Lo Gain and +4 dBu Input level for 0 dBFS @ Lo Gain: +19 dBu Input level for 0 dBFS @ +4 dBu: +13 dBu Variable digital gain: 0 to +12 dB Minimum level for 0 dBFS: +1 dBu, -1.2 dBV Microphone In 9-12, front As AD, but: Input: 6.3 mm TRS, electronically balanced Signal to Noise ratio (SNR) @ LoGain: 116 dB (AES17), 118 dBA Signal to Noise ratio (SNR) @ +4 dBu: 115 dB (AES17), 117 dBA Frequency response @ 44.1 kHz, -0.1 dB: 8.9 Hz – 20.4 kHz Frequency response @ 96 kHz, -0.5 dB: 4.3 Hz – 45.2 kHz Frequency response @ 192 kHz, -1 dB: 3 Hz – 89 kHz Filter: Short Delay Sharp, 5 / 5 / 6 samples delay THD @ -1 dBFS: < -120 dB, < 0.0001 % THD+N @ -1 dBFS: < -110 dB, < 0.00032 % Channel separation: > 110 dB  Maximum input level: +19 dBu Input: 6.3 mm TRS jack, electronically balanced Input impedance @ 1 kHz: 10 kOhm unbalanced, 10.6 kOhm balanced Input sensitivity switchable between Lo Gain and +4 dBu Input level for 0 dBFS @ Lo Gain: +19 dBu Input level for 0 dBFS @ +4 dBu: +13 dBu Variable digital gain: 0 to +12 dB Minimum level for 0 dBFS: +1 dBu, -1.2 dBV Instrument In 9-12, front As AD, but: Input: XLR, electronically balanced Input impedance: 3.4 kOhm Signal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA Gain range: 54 dB Maximum input level, Gain +6 dB: +10 dBu Maximum input level, Gain +60 dB: -44 dBu CLIP LED: 0 dBFS SIG LED: -42 dBFS DA, Line Out 1-8, rear Output: 6.3 mm TRS jack, servo-balanced Signal to Noise ratio (SNR) @ HiGain: 116.5 dB (AES17), 118.5 dBA Signal to Noise ratio (SNR) @ +4 dBu: 116 dB (AES17), 118 dBA Signal to Noise ratio (SNR) @ -10 dBV: 107 dB (AES17), 109 dBA Frequency response @ 44.1 kHz, -0.1 dB: 0 Hz – 20.2 kHz Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 44.6 kHz Frequency response @ 192 kHz, -1 dB: 0 Hz – 77.5 kHz THD+N: < -110 dB, < 0.00032 % Channel separation: > 110 dB Output level switchable Hi Gain, +4 dBu, -10 dBV Output level at 0 dBFS @ Hi Gain: +19 dBu Output level at 0 dBFS @ +4 dBu: +13 dBu Output level at 0 dBFS @ -10 dBV: +2 dBV (+4.2 dBu) Output impedance: 75 Ohm DA - Stereo Monitor Output Phones (9-12) As DA, but: Output: 2 x 6.3 mm TRS stereo jack, unbalanced Maximum output level at 0 dBFS: +17 dBu Max power per channel @ 32 Ohm load, 0.02% THD: 200 mW (2.5 Vrms, +10 dBu) Signal to Noise ratio (SNR): 116 dB (AES17), 118 dBA Output impedance: 2 Ohm AES/EBU Input 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992 High-sensitivity input stage (< 0.3 Vpp) SPDIF compatible (IEC 60958) Accepts Consumer and Professional format Lock range: 27 kHz – 200 kHz Jitter suppression: > 50 dB (> 1 Hz) Output 1x XLR, transformer-balanced, galvanically isolated, according to AES3-1992 Output level Professional 4.2 Vpp, Consumer 2.4 Vpp Format Professional according to AES3-1992 Amendment 4 Format Consumer (SPDIF) according to IEC 60958 Single Wire mode, sample rate 28 kHz up to 200 kHz ADAT Optical Input 2 x TOSLINK, format according to Alesis specification Standard: 2 x 8 channels 24 bit, up to 48 kHz Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz Bitclock PLL ensures perfect synchronisation even in varispeed operation Lock range: 31.5 kHz – 50 kHz Jitter suppression: > 50 dB (> 1 Hz) Output 2 x TOSLINK, format according to Alesis specification Standard: 2 x 8 channels 24 bit, up to 48 kHz Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz SPDIF optical (via ADAT2) Input 1 x optical, according to IEC 60958 Accepts Consumer and Professional format Lock range: 27 kHz – 200 kHz Jitter suppression: > 50 dB (> 1 Hz) Output Format Consumer (SPDIF) according to IEC 60958 Sample rate 28 kHz up to 200 kHz Word Clock BNC, switchable termination