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Atomos Shogun Studio II (Dual Channel 4Kp60 3000NIT Deck)

HDR dual monitor and 8-channel HDp60 / 2-channel 4Kp60 rackmount recorder

The flexible new Shogun Studio 2 takes state of the art Atomos multi-channel recording technology and combines it with two premium 7” HDR 3000nit high bright touchscreen displays, all in a single 3RU unit. Its unique combination of features makes it perfect for live events, outside broadcast vehicles, production galleries and MCRs, post production facilities, video wall playout, on-set DITs and sports officiating. Connect to practically any SDI or HDMI source including camera channels, PTZ cameras and vision mixers.

Part No:

AO-ATOMSHSTU2

Usually Ships in 1-2 Days

£2,878.00 £2,398.33

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Description

Record Multiple Formats
The Shogun Studio 2 records either two channels of 4Kp60, or up to eight HDp60 sources in industry standard Apple ProRes, ProRes RAW and AVID DNx codecs. Free your workflow from the constraints of highly compressed GOP based codecs and their associated artifacts. Replace them with clean images captured direct from the sensors of your camera channels using modern Intra-frame codecs.

Playback and Edit
Review or play out your footage directly on the Shogun Studio 2 using the innovative touchscreen controls. Playback and play out up to 4Kp60 video, or 2K/HD high frame rate footage slowed down in the unit itself. Playlists can be created from clips either recorded on an Atomos recorder, or from your edit system in a supported codec, resolution and framerate.

Advanced Record Modes
The Shogun Studio 2 offers Pre Roll recording with a 8 second cache in HD, or 2-3 seconds in 4K, to make sure you never miss the action. It also offers Multi Camera ISO recording and Switching of up to 8 SDI inputs from cameras at up to 1080 p60. Each bank of 4 inputs also benefits from a switched output allowing you to have two video switched.

Master Your Rack
The Shogun Studio 2 only takes 3RU of space and has a short rack depth making it perfect for use in monitor bridges or in small mobile broadcast vehicles. Redundant dual power supplies balance the power load. The rear of the Shogun Studio 2 provides grouped connectivity for each of the recorder channels with 12G, 6G, 3G (single, Dual, Quad) and 1.5B SDI I/O, HDMI with support for both the inputs and outputs, plus XLR audio I/O, Genlock and LTC input and loop through.

Class Leading Screen Technology
The dual 7” screens of the Shogun Studio 2 have advanced dynamic zoned backlighting for deeper blacks and brighter whites, while retaining every detail in the highlights. See what the camera channel is capturing with unparalleled precision and use the advanced HDR tools for Log or RAW to ensure perfect exposure, colour and white balance.

The ProRes RAW Advantage
Creators are granted complete creative control of their video images in post-production as ProRes RAW combines the flexibility of RAW video with the real-time performance of ProRes. The format gives filmmakers incredible latitude when adjusting the look of their images and extending brightness and shadow detail – making ProRes RAW ideal for HDR workflows.

In addition to their groundbreaking combination of flexibility and performance, Apple ProRes RAW files are smaller than other RAW files – simplifying and accelerating file transfer, media management, and archiving. ProRes RAW files can easily be edited on most modern Apple Mac systems. ProRes RAW is fully supported in Final Cut Pro X along with a collection of other apps including ASSIMILATE SCRATCH, Colorfront, FilmLight Baselight, and Grass Valley Edius. Adobe Premiere Pro and Avid Media Composer are also set to support ProRes RAW in 2020.

Specification

More Information
Specification	Weight Weight: 5.0kg / 11lb Rack height: 3RU Rack mounting: Removable rack ears Dimensions (W x H x D mm): 447 x 152 x 280mm, 17.6 x 6.0 x 11.0”(without rack ears) 490 x 152 x 280mm, 19.3 x 6.0 x 11.0” (with rack ears) Construction: Steel construction for durability Cooling: Actively controlled fan with heat sinks Power Operating power (including SSD): 20 - 86W Compatible batteries: No Input voltage (battery): - DC Out: No Touchscreen Size: 7.2” Resolution: 1920 x 1200 PPI: 325 Aspect ratio: 16:9 native Color Gamut: Up to Wide color gamut (105% DCI-P3) Look up table (LUT) support: 3D LUT (.cube format) Technology: SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional X-Rite unit Anamorphic de-squeeze: 2x, 1.5x, 1.33x, Panasonic 4:3 Technology: Dynamic AtomHDR zoned backlight Dynamic AtomHDR Technology Backlight: Direct LED Zones: 360 direct backlight individual LEDs LEDs: Wide Color Calibrated D65 or D95 Bit depth: 10-bit (8+2 FRC) Color: DCI-P3 105% Brightness: 3000nit (+/- 10%) Control: On the fly real-time brightness analysis for LED control HDR Conversion: Log/RAW to HLG or PQ, Dolby Vision Loop out HDR Monitoring Technology Gamma: Sony SLog / SLog2 / SLog3 Canon CLog / CLog2 / Clog3 ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / Log- CEI1600 Panasonic Vlog JVC JLog1 RED Log3G10 / RED LogFilm / FujiFilm F-log / Nikon N-Log PQ10k and HLG Gamut: Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / DCI P3 / DCI P3+ Nikon BT2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 / BT.2020 JVC RED WideGamut / RED DragonColor / DragonColor2 / RED Color2 / RED Color3 / RED Color4 Video Input/Loop Out HDMI: HDMI 1 x HDMI (2.0)** SDI: Quad Link 4 x 3G/6G SDI, 4 x 3G-SDI, 2x 12G single link SDI Signal (camera dependent): Uncompressed true 10-bit or 8-bit 422 LTC (Record Mode Only): LTC input signal and loop out Genlock (Playback Mode Only): Genlock input signal and loop out Video Output (Play Out)* HDMI: 1 x HDMI (2.0) SDI (Play Out): 1 x Single link SDI 12G/6G/3G/1.5G, Optional 2nd SDI output available in Playback mode Signal: Uncompressed true 10-bit or 8-bit 422 (playback file dependent) Video Signal Conversion** HDMI to SDI: 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200/240 2160p 24/25/30/50/60 SDI to HDMI: 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200/240 2160p 24/25/30/50/60 Signal: Uncompressed true 10-bit or 8-bit 422 (playback file dependent) Audio In/Out (48kHz PCM Audio) (Per Channel) HDMI: 2 or 8ch 24-bit, camera dependent SDI: 12ch 48kHz 24-bit Audio: 2ch balanced XLR analogue in/out Dynamic range >90dB Max signal level +24dBu 3.5mm 2ch. Supported Codecs & Frame Rates (Record & Playback) Raw to: ProRes RAW, ProRes CinemaDNG (CDNG up to 30p only) Avid DNxHD Sony^^ FS700, FS-5, FS-7, FS-7MkII: 4K DCI; 24/25/30/50/60p 4K UHD; not supported in camera 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera Canon C300MKII/C500 CDNG: 4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; not supported in camera 1080; not supported in camera Panasonic VaricamLT, EVA1: 5.7K DCI; 24/25/30p (EVA1 ProRes RAW only) 4K DCI; 24/25/30/50/60p 4K UHD; 24/25/30/50/60p 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera Supported base resolution & FPS from cameras: 2K DCI: 23.98/24/25/29.9/30/50/59.94/60p 1080p: 23.98/24/25/29.9/30/50/59.94/60p 1080i: 50/59.94/60i 720p: 50/60p PSF inputs converted to P but looped out as PSF Supported FPS & resolution from gaming consoles and graphic cards: 4k UHD: 24/25/30/50/60p Onboard Processing Pulldown removal: 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) 4K UHD downscale for HD monitoring: Yes - Loop-out and playback (Not available in all RAW modes) Remote Control HDMI: Auto HDMI Trigger Supported Protocols - Dolby Vision, Canon, Sony, Atomos Open Standard RS422: 9pin transport control on qualified controllers SDI: SDI trigger camera selectable Other: LANC control - Slave / Calibration on front. Serial - Calibration on front Playback* Playlist / Genlock / LTC: Yes / Yes / No CDNG (Recorded content): No support ProRes (Recorded content) All recorded files can playback. Playback in slow motion >= 100fps. DNxHR / DNxHD (recorded content): All recorded files can playback. Playback in slow motion >= 100fps. Recording Pre-roll record: Yes (HD 8s, 4K 2s) ISO Record: Up to 8 streams in 60pHD in parallel Custom timelapse: Yes* Supported media: 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/ drives for list of tested and approved drives Master caddy case: Master Caddy II (included) 75mm x 105mm x 12mm Supported applications: Final Cut Pro / Media Composer / Premiere Pro / After Effects / EDIUS / Vegas Pro / Lightworks / Autodesk Smoke Warranty Standard 1 year. Extend to 3 yrs on product registration Please note: Specifications are subject to change without notice. All information correct at time of publishing. * This feature will be added in future Firmware update. ** Link between channel 1 and 2 is limited to 4kDCI at 30p ^^ FS700 and FS5mkii require RAW firmware upgrade. FS7 mki/ii require XDCA-FS& extension unit.