This site uses cookies to provide you with the great user experience. Find out more here. By using this site you consent to use our cookies.
Schoeps MK 4 Carioid Microphone Capsule
Microphone Capsule with a Cardioid pick up pattern
The MK 4 is Schoeps' best-selling capsule. It offers the highest sound quality, flat frequency response, optimal rejection of rear-incident sound, and a directional pattern that remains constant throughout the audio frequency range.
The MK 4 is Schoeps' best-selling capsule. It offers the highest sound quality, flat frequency response, optimal rejection of rear-incident sound, and a directional pattern that remains constant throughout the audio frequency range. In the diffuse sound field it shows only a mild rise around 10 kHz; the sonic impression thus remains free of coloration even when sound is arriving from all sides at once. The sonic impression is thus free of coloration whether sound is arriving at the front or at the sides of the microphone, as well as for diffuse sound (reverberation) in a room.
For those who dare to use their ears rather than just their eyes when choosing a vocal microphone, a Colette microphone using the MK 4 capsule can be a remarkable instrument.
The MK 4 is often preferred by opera singers and other trained vocalists. But its natural, transparent character also suits it very well for use in pop and rock applications, on stage or in the studio, where equalization is a part of the plan. A microphone with a clear, neutral sound quality provides the ideal point of departure whenever special “coloring” is needed.
- Classic cardioid
- Suitable for the widest range of applications, either as a spot microphone or for stereo recording with coincident, ORTF or M/S microphone arrangements
- With consistent directionality throughout its frequency range
- Often preferred for singing or speaking voices and most instruments
Description | The MK 4 is Schoeps' best-selling capsule. It offers the highest sound quality, flat frequency response, optimal rejection of rear-incident sound, and a directional pattern that remains constant throughout the audio frequency range. In the diffuse sound field it shows only a mild rise around 10 kHz; the sonic impression thus remains free of coloration even when sound is arriving from all sides at once. The sonic impression is thus free of coloration whether sound is arriving at the front or at the sides of the microphone, as well as for diffuse sound (reverberation) in a room. For those who dare to use their ears rather than just their eyes when choosing a vocal microphone, a Colette microphone using the MK 4 capsule can be a remarkable instrument. The MK 4 is often preferred by opera singers and other trained vocalists. But its natural, transparent character also suits it very well for use in pop and rock applications, on stage or in the studio, where equalization is a part of the plan. A microphone with a clear, neutral sound quality provides the ideal point of departure whenever special “coloring” is needed. |
---|---|
Specification |
|