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Atomos Sumo 19" 4Kp60 HDR Monitor-Recorder

On-set & In-studio 4Kp60 HDR 19" monitor-recorder
Part No: AO-ATOMSUMO19

Sumo is the first production monitor that also records 4K 12bit RAW, 10bit ProRes/DNxHR, plus 10p60 live switching and recording.  At home either on location or in the studio this 19' monitor takes Atomos' range of monitor-recorders to the next level.

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in stock
£2,249.00 £1,874.17 ex VAT
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£2,249.00 £1,874.17 ex VAT

 
Atomos

Product Description

Details

Sumo is the first production monitor that also records 4K 12bit RAW, 10bit ProRes/DNxHR, plus 10p60 live switching and recording.  Whatever the environment, home or studio, this 19” monitor takes Atomos' range of monitor-recorders to the next level.

The significantly improved power management shooting system enables the user to continue shooting for longer in the field, the 1200nit brightness further assists the act of outdoor recording.

Get HDR on set in realtime with on the fly Log to HDR and PQ/HLG playback complete with mission critical scopes such as waveform, focus peaking, false colour and vectorscope on the calibrated screen. Beyond monitoring, with up to 4Kp60 and 2Kp240 recording you can generate instant dailies and proxies direct to affordable and available SSD media offering the professional recording, playback and editing that has made Atomos notorious also comes fitted as standard, of course.

Making use of the power of the 1200nit panel, the Atomos Sumo is furnished with the AtomHDR engine. This panel operates in tandem with Atomos' patent pending image processing to resolve the brightness detail of Log camera signals with the colour accuracy of 10 bit HDR images mastered in post production,

The typical difficulties of exposing Log signals on a washed out image are removed in this way. With AtomHDR you simply frame, expose, focus and shoot. All major camera maker’s Log formats are supported - Sony, Canon, Panansonic, Arri, Red and JVC.

The Atomos Sumo advances much of the Ninja Flame’s specifications. There are upgrades to HDR, video and audio in/outs and on board processing power. A wide array of accessories are also available.

Specifications

Additional Information

Specification

Weight

  • Without batteries, media & stand: 5.6kg / 12.3lb
  • With stand: 6.2kg / 13.7lb
  • Dimensions (W x H x D mm):
  • 504 x 310 x 63mm, 19.8" x 12.2" x 2.5" (without stand)
  • 504 x 330 x 180mm, 19.8" x 13" x 7.1" (with stand)
  • Construction: Aluminium alloy chassis with built in armor protection
  • Mounting Points: 1/4-20 screw; 4 x top, 4 x bottom, 2 x side, 3/8-16 screw; 2 x top, 2 x bottom, 1 x side, VESA mount rear

 

Power

  • Operating power: 75W
  • Compatible batteries: V-Lock / Anton Bauer via XLR terminal (optional mounting plates available)
  • Input voltage (battery): 14.4V nominal
  • Battery time (based on 7.4V): Depends on Watt Hours speci cation of battery used
  • DC In: 1 x DC in (6.2 - 16.8V)
  • Continuous power * Patent pending: Primary-secondary battery system. Change batteries without losing power. Loop batteries continuously

 

Touchscreen

  • Size: 19”
  • Resolution: 1920 x 1200
  • PPI: 120
  • Aspect ratio: 16:9 native
  • Colour Gamut: REC709 HDTV
  • Look up table (LUT) support: 3D LUT (.cube format)
  • Anamorphic de-squeeze: 2x, 1.5x, 1.33x, Panasonic 8:3
  • Technology: SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit

 

HDR

  • AtomHDR: Yes
  • Supported Log formats: Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm
  • Supported Gamuts: Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema / BT2020 / DCI P3 / DCI P3+, Panasonic V Gamut, Arri Alexa Wide Gamut
  • Bit depth: 10-bit (8+2 FRC)
  • Brightness: 1200nit (+/- 10%)
  • HDR input (PQ/HLG): Yes / Yes
  • HDR output (PQ/HLG): Yes / Yes

 

Video Input/Loop Out

  • HDMI: 1 x HDMI (2.0)
  • SDI: Quad link 4 x 3G SDI* or up to 12G single link SDI
  • Signal: Uncompressed true 10-bit or 8-bit 422 (camera dependent)

 

Video Output (Play Out)

  • HDMI: 1 x HDMI (2.0)
  • SDI: 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G
  • Signal: Uncompressed true 10-bit or 8-bit 422 (playback file dependent)

 

Supported Loop Out Formats

  • HDMI to HDMI: 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120, 2160p 24/25/30/50/60
  • SDI to SDI: 720p 50/60, 1080i 50/60, 1080pSF 24/25/30,1080p 24/25/30/50/60/100/120, 2160p 24/25/30/50/60

 

Video Signal Conversion

  • HDMI to SDI: 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60
  • SDI to HDMI: 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60

 

Supported Codecs & Frame Rates (Record & Playback)

Raw Record:

  • Sony FS5/FS7^^/FS700 CDNG
    • 4K DCI; 24/25/30p
    • 4K UHD;
    • 2K; 24/25/30/50/60/100/120p
    • 1080;
  •  Canon C300MKII/C500 CDNG
    • 4K DCI; 24/25/30p
    • 4K UHD; 24/25/30p
    • 2K;
    • 1080;
  •  Panasonic VaricamLT / Varicam35* CDNG
    • 4K DCI; 24/25/30p
    • 4K UHD; 24/25/30p
    • 2K;
    • 1080;
  • Arri Alexa Mini .ARI*
    • 2880x1620; 24/25/30/50/60p
    • 2880x2160; 24/25/30/50/60p

 

Raw to ProRes / DNxHR

  • Sony FS5/FS7/FS700
    • ProRes (HQ, 422, LT)
    • DNxHR (HQX, HQ, SQ, LB)
    • 4K DCI; 24/25/30/50/60p
    • 4K UHD;
    • 2K; 24/25/30/50/60/100/120/200/240p
    • 1080;
  • Canon C300MKII/C500
    • ProRes (HQ, 422, LT)
    • DNxHR (HQX, HQ, SQ, LB)
    • 4K DCI; 24/25/30p
    • 4K UHD; 24/25/30p
    • 2K;
    • 1080;
  • Panasonic VaricamLT / Varicam35*
  • ProRes (HQ, 422, LT)
  • DNxHR (HQX, HQ, SQ, LB)
  • 4K DCI; 24/25/30/50*/60p*
  • 4K UHD; 24/25/30/50*/60p*
  • 2K; not supported in camera
  • 1080; not supported in camera

 

Video to ProRes / DNxHR (DNx utilizes a .MOV wrapper)

  • Codecs
    • Apple ProRes HQ, 422, LT
    • AVID DNxHR HQX. HQ, SQ, LB
  • Frame rates
    • 4K DCI; 24/25/30/50/60p
    • 4K UHD; 24/25/30/50/60p
    • 2K; N/A
    • 1080p; 24/25/30/50/60/100^/120^/200/240p
    • 1080i; 50/60i
    • 720p; 50/60p

 

Onboard Processing

  • Pulldown removal: 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown)
  • 4K UHD downscale for HD monitoring: Yes - Loop-out and playback (Not available in RAW)

 

Audio In/Out (48kHz PCM Audio)

  • HDMI: 2 or 8ch 24-bit, camera dependent
  • SDI: 12ch 48kHz 24-bit
  • Audio:
    • 2ch balanced XLR analog in/out (direct XLR connection)
    • Dynamic range >90dB
    • Max signal level +24dBu
    • Max analog gain +52dB
    • 48V Phantom Power for Mic
  • Headphone Out: 3.5mm
  • Built-in Speakers: Yes

 

Remote Start/Stop

  • HDMI: Auto HDMI Trigger - Supported Protocols - Canon, Sony, Atomos Open Standard
  • SDI: SDI trigger camera selectable
  • Other: LANC control - Slave

 

Playback

  • Playlist / Genlock / LTC: Yes / Yes / Yes
  • CDNG (Recorded content): No support
  • ProRes (Recorded content): All recorded files can playback. Playback in slow motion >= 100fps
  • DNxHR / DNxHD (recorded content): All recorded files can playback. Playback in slow motion >= 100fps

 

Recording

  • Pre-roll record: Yes (HD 8s, 4K 2s)
  • Custom timelapse: Yes
  • Meta data tagging: Yes (10 tags available)
  • Supported media: 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives
  • Master caddy case: Master Caddy II (included) 75mm x 105mm x 12mm
  • Master caddy dock: 2.5” SATA to USB 2.0/3.0
  • Supported applications: Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015
  • XML support: FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools
  • Accessories included: Sumo unit, Master Caddy II x 1, AC power supply
  • Optional extras: Sunhood, VESA battery adapter plate, Atomos HDMI cable, X-Rite i1DisplayPro calibration
  • Warranty: 1 year. Extended to 3 years on product registration

What's in the box

  • Sumo unit
  • Master Caddy II x 1
  • AC power supply

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