Atomos Shogun 7 - 7" HDR Pro/Cinema Monitor-Recorder-Switcher

7-inch HDR Monitor-Recorder-Switcher with 4 x HD-SDI + 1 x program

Atomos Shogun 7 is a precision HDR monitor-recorder-switcher designed for the film and video professional. It can be used as either a stand-alone field monitor, recorder and switcher for event, documentary and live in-the- field storytelling; or as a tool for large-scale on-set episodic TV,  film and cinema productions where multiple crew members require a consistent visual reference across the  field monitor ecosystem.

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Part No:
AO-ATOMSHG701
£1,558.00 £1,298.33
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Unbelievable HDR
Atomos Shogun 7 is a precision HDR monitor-recorder-switcher designed for the film and video professional. It can be used as either a stand-alone field monitor, recorder and switcher for event, documentary and live in-the- field storytelling; or as a tool for large-scale on-set episodic TV,  film and cinema productions where multiple crew members such as focus pullers, grips and cinematographers require a consistent visual reference across the  field monitor ecosystem. Shogun 7’s portable size lets you monitor, analyze and tag while on set; and check how your content will look in your audience’s home via real-time Dolby Vision output. With Shogun 7 you’re not locked into any format, camera manufacturer or pipeline. It is a completely  flexible master recording and production station.

Live multi-cam has never been more portable
Monitor, record and switch between 4 live HD SDI video streams (and one program stream) for  flexible in-the- field directing. Enjoy the freedom of asynchronous switching and gen lock in & out to connect to existing infrastructure. Shogun 7 offers up to HDp60 SDI ISOs x 4 recording. Once you’ve finished capturing your streams, just import the Atomos xml file into your NLE and your timeline populates with all your edits in place. Audio is also taken care of, with each ISO and program record, we insert the mixed analog stereo channels and embed 2 channels of digital audio in each recorded stream. The program stream always records the analog feed and switches between audio inputs for the on-camera audio to match the switched feed.

Single-camera storytelling in 4K, or 2K slow-mo
With the latest HDMI 2.0v you can capture up to 4Kp60 on any available camera, or via Quad Link, Dual Link or Single Link. If slow motion capture is important to your production, Shogun 7 lets you capture 2K up to 240p. You can tag on-the-fly while recording for direct-to-edit look up in Final Cut Pro X, Adobe Premiere* and Avid Media Composer*.

* Third party plug-in such as XtoCC to enable .fcpxml compatibility.

Advanced Atomos technology
Atomos have made the most advanced on-set production tool for creative enhancement, to achieve this they developed the most advanced screen technology today, and it took them three years. They developed “Dynamic AtomHDR” screen technology into Shogun 7’s field monitor which makes your images blacks blacker and whites brighter. They include real-time output to Dolby Vision capable displays so that you can quickly check that your Creative intent will translate perfectly to audiences at home. They added Apple ProRes RAW recording to other popularly available formats. They added live asynchronous switching to record up to four real-time cameras at the same time.

Blacker blacks, brighter whites
The Shogun 7 screen is the most precise 7” field reference monitor to-date for both SDR and HDR production as well as up to 2Kp240 and 4Kp60. Display your work on the world’s best HDR screen with the first-to-market Dynamic AtomHDR backlit technology, with 360 zones that revolutionizes the on-camera HDR monitor game. Dynamic AtomHDR achieves an astounding 1,000,000:1 contrast ratio with ultra-wide color, giving you the ultimate combination of blacker than black OLED for intense shadow detail and blazing 1500nit LCD performance for vivid high bright and HDR performance.

Record RAW, deliver accurate Dolby Vision HDR
Atomos and Dolby have teamed up to give you live Dolby Vision HDMI out, from any SDI or HDMI HDR camera. All courtesy of AtomOS 10. Simply connect your Dolby Vision capable TV or monitor to your Atomos product* and magically, automatically, the AtomOS analyzes the image, queries the TV, and applies the right color and brightness profiles for the maximum HDR image on the display or TV. This ensures the HDR image always looks as it was creatively intended. This is a valuable on-set reference check for the creative director and client. This function is also available in playback and playout from RAW and Log recorded ProRes RAW, ProRes and DNx rushes for instant time-saving, on-set and in-studio review. Utilize playback functions like slow motion, and insert edit and in and out points to speed up playlist compilation.

*new generation Shogun 7 or Ninja V

Edit HDR in the field
Monitor analyze and tag shots, making the most of portability while being on the go. Record direct to the desired NLE editing/ grading/transcoding formats; from camera to standard industry finishing workflows, enjoy support for Apple Final Cut Pro, Avid Media Composer and Black Magic Resolve. Playback rushes on-set on-device to the best quality display or to a TV with full Dolby Vision support.

Balanced audio
Eliminate the need for a separate audio recorder. Add 48V stereo mics via the balanced XLR breakout cable. Select Mic or Line input levels, record up to 12 channels of digital audio from HDMI or SDI. Monitor selected stereo via the 3.5mm headphone jack.

High speed connections
Seamlessly connect any SDI or HDMI device for monitoring and recording. Cross convert between HDMI 2.0 and 1.5G/3G/6G/12G/ Quad Link SDI in almost any combination and eliminate the need for specialist converters.

  • 1500nit HDR Display incorporating 360-zone technology with 1,000,000:1 contrast ratio, 15+ stops of dynamic range and 105% DCI-P3 Wide Colour Gamut.
  • Real-time recording to 4K formats including ProRes RAW, CinemaDNG, ProRes and DNx.
  • New Dolby Vision HDR Output in real-time, direct from camera sources.
  • New Dynamic AtomHDR Backlight advanced image processing system.
  • Portable Multi-Cam HD Recording supporting 4x ISO feeds over SDI up to 1080 60p with live asynchronous switching.
  • AtomOS 10 touch-screen interface first seen on the award-winning Ninja V.
More Information
Specification

Weight

  • Without batteries & media: 709g / 25oz.
  • Dimensions (W x H x D mm): 214 x 127 45mm
  • Construction: Polycarbonate ABS
  • Mounting points: 1/4”-20 screw mount. 1x top and 1x bottom

Power

  • Operating power: 10 - 33W
  • Compatible batteries: Atomos NP-F series and supporting accessories
  • Input voltage (battery): 6.2V to 16.8V
  • Battery time (based on 2 x 7.4V):
    • 5200mAh - up to 1.5hrs (monitor & record 4K 30p)
    • 7800mAh - up to 2.2hrs (monitor & record 4K 30p)
  • DC In: 1 x DC in (6.2 - 16.8V)

Touchscreen

  • Size: 7.2”
  • Resolution: 1920 x 1280
  • PPI: 325
  • Aspect ratio: 16:9 native
  • Color Gamut: Up to Wide color gamut (105% DCI-P3)
  • Look up table (LUT) support: 3D LUT (.cube format)
  • Anamorphic de-squeeze: 2x, 1.5x, 1.33x
  • Technology:
    • Dynamic AtomHDR zoned backlight
    • IPS LCD

Dynamic AtomHDR Technology

  • Backlight: Direct LED
  • Zones: 360 direct backlight individual LEDs
  • LEDs: Wide Color Calibrated D65 or D95
  • Bit depth: 10-bit (8+2 FRC)
  • Color: DCI-P3 105%
  • Brightness: 1500nit (+/- 10%)
  • Control: On the fly real-time brightness analysis for LED control
  • HDR Conversion: Log/RAW to HLG or PQ

HDR Monitoring Technology

  • Gamma: Sony SLog / SLog2 / SLog3 Canon CLog / CLog2 / Clog3 ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600 Panasonic Vlog JVC JLog1 RED Log3G10 / RED LogFilm FujiFilm F-log Nikon N-Log PQ10k HLG
  • Gamut: Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / DCI P3 / DCI P3+ Nikon Bt2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 / BT.2020 JVC RED WideGamut / RED DragonColor / DragonColor2 / RED Color2 / RED Color3 / RED Color4 /

Video Input/Loop Out

  • HDMI: HDMI 1 x HDMI (2.0)
  • SDI: Quad Link 4 x 3G/6G SDI*, 4 x 3G-SDI, 2x 12G single link SDI
  • Signal: Uncompressed true 10-bit or 8-bit 422 (camera dependent)
  • Genlock: Genlock input signal and output signal

Video Output (Play Out)

  • HDMI: 1 x HDMI (2.0)
  • SDI: 2x 4K-SDI 12G or HD-SDI 3G/6G
  • Signal: Uncompressed true 10-bit or 8-bit 422 (playback file dependent)

Video Signal Conversion

  • HDMI to SDI         -
  • SDI to HDMI         -

Audio In/Out (48kHz PCM Audio)

  • HDMI: 2 or 8ch 24-bit, camera dependent
  • SDI: 12ch 48kHz 24-bit
  • Audio:
    • 2ch balanced XLR analogue in/out
    • Dynamic range >90dB
    • Max signal level +24dBu
    • Max analogue gain +52dB
    • 48V Phantom Power for Mic
  • Headphone out: 3.5mm 2ch.

Supported Codecs & Frame Rates (Record & Playback)

  • Raw to:
    • ProRes RAW
    • ProRes
    • CinemaDNG
    • (CDNG up to 30p only)
    • Avid DNxHD
  • Sony^^ FS700, FS-5, FS-7, FS-7MkII:
    • 4K DCI; 24/25/30/50/60p
    • 4K UHD; not supported in camera
    • 2K; 24/25/30/50/60/100/120/200/240p
    • 1080; not supported in camera
  • Canon C300MKII/C500 CDNG:
    • 4K DCI; 24/25/30p
    • 4K UHD; 24/25/30p
    • 2K; not supported in camera
    • 1080; not supported in camera
  • Panasonic VaricamLT, EVA1:
    • 5.7K DCI; 24/25/30p (EVA1 ProRes RAW only)
    • 4K DCI; 24/25/30/50/60p
    • 4K UHD; 24/25/30/50/60p
    • 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera
  • Supported base resolution & FPS from cameras:
    • 4K DCI: 23.98/29.9/59.94p
    • 4K UHD: 23.98/29.9/59.94p
    • 2K DCI: 23.98/29.9/59.94p
    • 1080p: 23.98/29.9/59.94p
  • Supported FPS & resolution from gaming consoles and graphic cards: 1080p; 24/25/30/50/60/100/120

Onboard Processing

  • Pulldown removal:
    • 24/25/30pSF > 24/25/30p (2:2 pulldown)
    • 60i > 24p (3:2 pulldown)
  • 4K UHD downscale for HD monitoring: Yes - Loop-out and playback (Not available in RAW)

Remote Start/Stop

  • HDMI: Auto HDMI Trigger
  • Supported Protocols - Dolby Vision, Canon, Sony, Atomos Open Standard
  • SDI: SDI trigger camera selectable
  • Other: LANC control - Slave

Playback

  • Playlist / Genlock / LTC: Yes / Yes / Yes
  • CDNG (Recorded content): No support
  • ProRes (Recorded content): All recorded files can playback. Playback in slow motion >= 100fps.
  • DNxHR / DNxHD (recorded content): All recorded files can playback. Playback in slow motion >= 100fps.

Recording

  • Pre-roll record: Yes (HD 8s, 4K 2s)
  • Custom timelapse: Yes*
  • Supported media: 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives
  • Master caddy case: Master Caddy II (included) 75mm x 105mm x 12mm
  • Master caddy dock: 2.5” SATA to USB 2.0/3.0
  • Supported applications: Final Cut Pro / Media Composer / Premiere Pro / After Effects / EDIUS / Vegas Pro / Lightworks / Autodesk Smoke

Optional extras

  • Accessory Kit: 2 x battery, 1 x charger, 1 x power supply, HPRC case, USB dock, control cable, Dtap cable, Master Caddy x 4, Power supply, Sun hood
  • Power Kit: 2 x battery, 1 x charger, 1 x power supply
  • Other: Atomos HDMI cable, Breakout XLR cable, X-Rite i1DisplayPro calibration

24/30/60 frame rates also means 23.98/29.97/59.94 frame rates for all resolution

*Available in future firmware updates

^^ Optional unit (XDCA-FS7) needed for Raw output.”

  • Shogun 7 unit
  • Master Caddy II x 1
  • 12V-3A AC power supply
  • Carry Case
  • Quick Start guide