Avid HD3 with HD Series I/O to HDX OMNI System
Pro Tools HD3 with HD Series I/O to HDX OMNI System Cross Grade
Avid > Pro Tools > HDX Cross Grades£3,699.00
£4,438.80 (inc 20% VAT)
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HDX1
Mix Bigger, Better Projects—Faster
As a dedicated professional, you’re looking for faster, higher quality, and easier ways to record, edit, and mix the most demanding productions. Meet the more powerful, new generation of Pro Tools|HD—Pro Tools|HDX. Get more tracks, more headroom, and up to 5x more dedicated DSP power to tackle even the most massive music and post-production projects with the confidence that comes with guaranteed performance.
HD OMNI
Capture pristine, high-resolution audio through premium mic preamps and monitor your sessions in up to 7.1 surround with the all-in-one HD OMNI interface. Designed to completely integrate with Pro Tools|HD, HD OMNI is an ideal choice for individual musicians, composers, post-production studios, and anyone else who demands top sound quality and the convenience of an all-in-one interface. Experience best-in-class A/D and D/A conversion, mic preamps, the lowest possible latency, and a full monitoring section—all in one compact interface.
Mix Bigger, Better Projects—Faster
As a dedicated professional, you’re looking for faster, higher quality, and easier ways to record, edit, and mix the most demanding productions. Meet the more powerful, new generation of Pro Tools|HD—Pro Tools|HDX. Get more tracks, more headroom, and up to 5x more dedicated DSP power to tackle even the most massive music and post-production projects with the confidence that comes with guaranteed performance.
HD OMNI
Capture pristine, high-resolution audio through premium mic preamps and monitor your sessions in up to 7.1 surround with the all-in-one HD OMNI interface. Designed to completely integrate with Pro Tools|HD, HD OMNI is an ideal choice for individual musicians, composers, post-production studios, and anyone else who demands top sound quality and the convenience of an all-in-one interface. Experience best-in-class A/D and D/A conversion, mic preamps, the lowest possible latency, and a full monitoring section—all in one compact interface.
HDX1
Mix bigger, better projects
• With Pro Tools|HDX, you get up to 5x more power per card than Pro Tools|HD Accel, so you can focus on your mix—not your mixer—and do much more with less.
• Create bigger, more complex mixes with 4x more tracks (up to 768 voices)
• Double your ins and outs with up to 64 channels of I/O per card (up to 256 total)
• Handle large plug-in-heavy mixes easily with 4x more Automatic Delay Compensation
Get more headroom—less headaches
• Pro Tools|HDX uses floating-point calculations for plug-in processing and mixing, enabling you to achieve the best sound quality possible, with the least effort.
• Record and mix in higher resolution (up to 32-bit, 192 kHz audio) and significantly greater dynamic range
• Let your mixes breathe with increased headroom, and eliminate clipping and obsessive gain staging
• Improve workflow and sonic parity between DSP-accelerated and native-based Pro Tools systems with the new AAX plug-in platform (watch the video)
The fastest workflows—yours
• Pro Tools|HDX tightly integrates with Pro Tools HD software and your Mac or PC, giving you optimized performance from creation to completion.
• Get a highly responsive feel—even in your most complex projects—with RAM-cached record/playback and real-time fades (watch the video A & video B)
• Keep the channel routing in complex sessions in check easily with bus interrogation
• Work faster with pro-level tools, including Clip Gain (watch the video), advanced audio editing and automation, surround sound, and more
• Accelerate your recording, editing, and mixing with Avid Pro Mixing Series consoles, which offer unprecedented hands-on control
• Share even more with Media Composer and other AAF-compatible software with support for multichannel tracks, Clip Gain, and a 24-hour timeline
It's all about the sound
• There’s a reason why more professionals trust the sound of Pro Tools than with any other DAW. Now you can get even higher fidelity audio with Pro Tools|HDX.
• Get better audio clarity and detail than ever before combining Pro Tools|HDX with any Pro Tools HD Series audio interface
• Compose music and polish mixes with over 75 high-quality virtual instruments, effects, and sound processing plug-ins
• Get the renowned sound of the coveted Avid System 5 console with the Avid Channel Strip plug-in
The versatility you need—now and in the future
• As your needs or business grows, you can easily scale Pro Tools|HDX to handle whatever comes your way, and take advantage of unique features and workflows.
• Gain more tracks and power by simply adding another Pro Tools|HDX card to your system
• Mix and match Pro Tools HD Series interfaces to meet your needs, or use Pro Tools HD software standalone for on-the-go mixing
• Collaborate with Media Composer editors through AAF sharing or Satellite technology options
HD OMNI
Get the sound quality you’ve always wanted. With HD OMNI, you can connect your mics, instruments, line-level gear, and digital devices, capture every audio nuance they deliver in stunning clarity, and choose how you want to monitor your mix.
• Pristine audio clarity and ultra low latency through state-of-the-art A/D and D/A conversion
• High-quality, low-noise analog I/O:
-2 premium, digitally-controlled mic/DI preamps
-4 line inputs
-8 line outputs, with true analog gain
• Versatile digital I/O, with sample rate conversion on all inputs:
-8 channels of ADAT I/O (supports S/MUX II and IV)
-2x8 channels of AES/EBU I/O
-2 channels of S/PDIF I/O
• Route audio independently from Pro Tools with the persistent 14X26 pass-through mixer
• Completely integrates with Pro Tools|HD for full routing, mixing, and monitoring control
• Track hotter signals and smooth out sounds with Curv, a new built-in soft-knee limiter
• Hear your mixes in however many channels you need, from stereo to 7.1 surround
• Improve communication while tracking with dedicated cue path
• Keep things in sync with dedicated Word Clock and Loop Sync I/O
• Compact 1U rack-mountable chassis
• Connects to Pro Tools|HD through a DigiLink Mini connection (cable and adaptor included)
• Track, Mix, and Monitor in One
No need to route signals through multiple interfaces—with HD OMNI, you can do everything in one single-space rack, so you save money and space. As the hub of any music studio, you can use HD OMNI to record high-quality instrument and vocal performances, while providing dedicated cue mixes for artists, and monitor the performance through a discrete mix. For post production, not only do you have overdub and Foley recording capabilities at your disposal, you can use HD OMNI to monitor mixes with up to 7.1 channels—and fold down mixes from 7.1 to almost any channel configuration subset.
• Hear What You’ve Been Missing
Raising the bar on audio performance, HD OMNI features premium A/D and D/A converters, so you can achieve higher audio fidelity, extensive dynamic range, super-low jitter, and the absolute lowest possible latency in your sessions. You also get built-in sample rate conversion and a soft clip feature for worry-free performance. And using Curv, a new built-in soft-knee limiter that catches even the fastest transients, you can track hotter signals and be assured that any unexpected peaks in your input won’t put you in the red.
• Full Monitoring Flexibility
Whether you want to listen in stereo or surround, monitor sound personally or set up a personal mix for someone else, or hear your work in headphones or on the big speakers, you can do it all with HD OMNI. Mix and monitor up to 7.1 surround (with fold down to stereo). Hear how your mix sounds on different speakers using the Main and ALT speaker selections. Set up an integrated cue mix for artists to monitor. Or isolate yourself with your own headphone mix. And if you don’t feel like launching Pro Tools—or even turning on your computer—HD OMNI features a built-in, customizable, 14x26 pass-through mixer, so you can continue to monitor external sources, such as keyboards, drum machines, and digital music players, independently from your recording setup.
• Work with Pro Tools and More
HD OMNI and all other Pro Tools HD Series interfaces completely integrate with Pro Tools|HD, so you get maximum performance, dependability, and control of your inputs, outputs, routing, and monitoring right from your Pro Tools software interface. You’ll also get higher production quality and greater workflow flexibility than with previous Pro Tools interfaces. And if you want to use your interface with Pro Tools|HD and other DAW software, you can do that too, as all Pro Tools|HD systems support Core Audio and ASIO drivers.
Mix bigger, better projects
• With Pro Tools|HDX, you get up to 5x more power per card than Pro Tools|HD Accel, so you can focus on your mix—not your mixer—and do much more with less.
• Create bigger, more complex mixes with 4x more tracks (up to 768 voices)
• Double your ins and outs with up to 64 channels of I/O per card (up to 256 total)
• Handle large plug-in-heavy mixes easily with 4x more Automatic Delay Compensation
Get more headroom—less headaches
• Pro Tools|HDX uses floating-point calculations for plug-in processing and mixing, enabling you to achieve the best sound quality possible, with the least effort.
• Record and mix in higher resolution (up to 32-bit, 192 kHz audio) and significantly greater dynamic range
• Let your mixes breathe with increased headroom, and eliminate clipping and obsessive gain staging
• Improve workflow and sonic parity between DSP-accelerated and native-based Pro Tools systems with the new AAX plug-in platform (watch the video)
The fastest workflows—yours
• Pro Tools|HDX tightly integrates with Pro Tools HD software and your Mac or PC, giving you optimized performance from creation to completion.
• Get a highly responsive feel—even in your most complex projects—with RAM-cached record/playback and real-time fades (watch the video A & video B)
• Keep the channel routing in complex sessions in check easily with bus interrogation
• Work faster with pro-level tools, including Clip Gain (watch the video), advanced audio editing and automation, surround sound, and more
• Accelerate your recording, editing, and mixing with Avid Pro Mixing Series consoles, which offer unprecedented hands-on control
• Share even more with Media Composer and other AAF-compatible software with support for multichannel tracks, Clip Gain, and a 24-hour timeline
It's all about the sound
• There’s a reason why more professionals trust the sound of Pro Tools than with any other DAW. Now you can get even higher fidelity audio with Pro Tools|HDX.
• Get better audio clarity and detail than ever before combining Pro Tools|HDX with any Pro Tools HD Series audio interface
• Compose music and polish mixes with over 75 high-quality virtual instruments, effects, and sound processing plug-ins
• Get the renowned sound of the coveted Avid System 5 console with the Avid Channel Strip plug-in
The versatility you need—now and in the future
• As your needs or business grows, you can easily scale Pro Tools|HDX to handle whatever comes your way, and take advantage of unique features and workflows.
• Gain more tracks and power by simply adding another Pro Tools|HDX card to your system
• Mix and match Pro Tools HD Series interfaces to meet your needs, or use Pro Tools HD software standalone for on-the-go mixing
• Collaborate with Media Composer editors through AAF sharing or Satellite technology options
HD OMNI
Get the sound quality you’ve always wanted. With HD OMNI, you can connect your mics, instruments, line-level gear, and digital devices, capture every audio nuance they deliver in stunning clarity, and choose how you want to monitor your mix.
• Pristine audio clarity and ultra low latency through state-of-the-art A/D and D/A conversion
• High-quality, low-noise analog I/O:
-2 premium, digitally-controlled mic/DI preamps
-4 line inputs
-8 line outputs, with true analog gain
• Versatile digital I/O, with sample rate conversion on all inputs:
-8 channels of ADAT I/O (supports S/MUX II and IV)
-2x8 channels of AES/EBU I/O
-2 channels of S/PDIF I/O
• Route audio independently from Pro Tools with the persistent 14X26 pass-through mixer
• Completely integrates with Pro Tools|HD for full routing, mixing, and monitoring control
• Track hotter signals and smooth out sounds with Curv, a new built-in soft-knee limiter
• Hear your mixes in however many channels you need, from stereo to 7.1 surround
• Improve communication while tracking with dedicated cue path
• Keep things in sync with dedicated Word Clock and Loop Sync I/O
• Compact 1U rack-mountable chassis
• Connects to Pro Tools|HD through a DigiLink Mini connection (cable and adaptor included)
• Track, Mix, and Monitor in One
No need to route signals through multiple interfaces—with HD OMNI, you can do everything in one single-space rack, so you save money and space. As the hub of any music studio, you can use HD OMNI to record high-quality instrument and vocal performances, while providing dedicated cue mixes for artists, and monitor the performance through a discrete mix. For post production, not only do you have overdub and Foley recording capabilities at your disposal, you can use HD OMNI to monitor mixes with up to 7.1 channels—and fold down mixes from 7.1 to almost any channel configuration subset.
• Hear What You’ve Been Missing
Raising the bar on audio performance, HD OMNI features premium A/D and D/A converters, so you can achieve higher audio fidelity, extensive dynamic range, super-low jitter, and the absolute lowest possible latency in your sessions. You also get built-in sample rate conversion and a soft clip feature for worry-free performance. And using Curv, a new built-in soft-knee limiter that catches even the fastest transients, you can track hotter signals and be assured that any unexpected peaks in your input won’t put you in the red.
• Full Monitoring Flexibility
Whether you want to listen in stereo or surround, monitor sound personally or set up a personal mix for someone else, or hear your work in headphones or on the big speakers, you can do it all with HD OMNI. Mix and monitor up to 7.1 surround (with fold down to stereo). Hear how your mix sounds on different speakers using the Main and ALT speaker selections. Set up an integrated cue mix for artists to monitor. Or isolate yourself with your own headphone mix. And if you don’t feel like launching Pro Tools—or even turning on your computer—HD OMNI features a built-in, customizable, 14x26 pass-through mixer, so you can continue to monitor external sources, such as keyboards, drum machines, and digital music players, independently from your recording setup.
• Work with Pro Tools and More
HD OMNI and all other Pro Tools HD Series interfaces completely integrate with Pro Tools|HD, so you get maximum performance, dependability, and control of your inputs, outputs, routing, and monitoring right from your Pro Tools software interface. You’ll also get higher production quality and greater workflow flexibility than with previous Pro Tools interfaces. And if you want to use your interface with Pro Tools|HD and other DAW software, you can do that too, as all Pro Tools|HD systems support Core Audio and ASIO drivers.
HDX1
What’s included
• Pro Tools|HDX PCIe card
• Pro Tools HD activation card (all software requires download)—covers:
- Pro Tools HD software
- Bundled virtual instruments, sound processing, and utility plug-ins
- Big Fish Audio sound loops library (8 GB)
• User guides
• iLok USB Smart Key (for software authorization)
• Registration card
• 12-foot DigiLink Mini cable for Pro Tools HD Series interface connection
• Your choice of HD Series interface
Pro Tools|HDX
• Voices - 256 (up to 768 total)
• Audio tracks - 256/128/64 (up to 768 total)
• Instrument tracks - 128
• MIDI tracks - 512
• Aux tracks - 512
• Busses - 256
• Channels of I/O - 64 (up to 256 total)
• Automatic Delay Compensation (ADC) - 16,383 samples
• Processing depth - 32-bit floating point
• Mixer depth - 64-bit floating point
• DSP power - 18 x 350 MHz processors (T1)
System Requirements
Mac
• Avid-qualified PCIe-equipped Apple computer (details)
• Mac OS X Lion (32- or 64-bit)
• 2 GB of RAM (4 GB or more recommended)
• Minimum 15 GB free hard disk space for Pro Tools installation
• USB port for iLok authorization (plus, Internet connection for software download)
Windows
• Avid-qualified PCIe-equipped PC (details)
• Windows 7 Home Premium, Professional, or Ultimate (32- or 64-bit)
• 2 GB of RAM (4 GB or more recommended)
• Minimum 15 GB free hard disk space for installation Pro Tools
• USB port for iLok authorization (plus, Internet connection for software download)
What’s included
• Pro Tools|HDX PCIe card
• Pro Tools HD activation card (all software requires download)—covers:
- Pro Tools HD software
- Bundled virtual instruments, sound processing, and utility plug-ins
- Big Fish Audio sound loops library (8 GB)
• User guides
• iLok USB Smart Key (for software authorization)
• Registration card
• 12-foot DigiLink Mini cable for Pro Tools HD Series interface connection
• Your choice of HD Series interface
Pro Tools|HDX
• Voices - 256 (up to 768 total)
• Audio tracks - 256/128/64 (up to 768 total)
• Instrument tracks - 128
• MIDI tracks - 512
• Aux tracks - 512
• Busses - 256
• Channels of I/O - 64 (up to 256 total)
• Automatic Delay Compensation (ADC) - 16,383 samples
• Processing depth - 32-bit floating point
• Mixer depth - 64-bit floating point
• DSP power - 18 x 350 MHz processors (T1)
System Requirements
Mac
• Avid-qualified PCIe-equipped Apple computer (details)
• Mac OS X Lion (32- or 64-bit)
• 2 GB of RAM (4 GB or more recommended)
• Minimum 15 GB free hard disk space for Pro Tools installation
• USB port for iLok authorization (plus, Internet connection for software download)
Windows
• Avid-qualified PCIe-equipped PC (details)
• Windows 7 Home Premium, Professional, or Ultimate (32- or 64-bit)
• 2 GB of RAM (4 GB or more recommended)
• Minimum 15 GB free hard disk space for installation Pro Tools
• USB port for iLok authorization (plus, Internet connection for software download)
For Sale. For Hire. For You.