Specialist suppliers of pro audio/video equipment to the film,
post-production, broadcast and music recording industries.

Atomos Shogun Inferno 4K 60P HDSDI & HDMI 10-bit Recorder and Monitor with HDR EDUCATION ONLY

4K & HD SDI/HDMI Recorder and Monitor with 4K HDR for enabled 4K and HD Camcorders, DSLRs and mirrorless cameras

Atomos invented the all-in-one monitor recorder category and now redefine it with the Shogun Inferno. It is the combination of the most advanced monitor technologies – 1500nit/10bit/HDR, the latest recording capability – 4Kp60 over Quad-SDI, along with playback & editing functionality that encourages on set collaboration. Shogun Inferno makes mastering a high resolution, high frame rate, high dynamic range workflow available to all filmmakers.


In Stock. Order by 3pm for free next working day delivery (UK mainland only)
£1,745.00 £1,454.17 ex VAT
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£1,745.00 £1,454.17 ex VAT

Product Description


Shoot HDR with LOG Cameras

AtomHDR image processing lets you shoot with the high brightness range of your camera’s Log profile while maintaining vibrant true-to-life colors. Conventional monitors lack this capability, displaying the brightness detail of Log but with a washed out image that makes judging exposure difficult. Be at the forefront of the HDR revolution by having a field monitor capable of resolving HDR in the field as you see it in Post Production and record the original Log image direct from the sensor for HDR grading in post production.

1500NIT 10-BIT

The 10-bit panel resolves more colors (1.07 billion colors compared to 16.7 million for standard 8-bit panels) to ensure smooth color transitions in both HDR and SDR (standard dynamic range) shooting. The 1500nit panel brings HDR to life, accentuating high contrast scenes. While for regular SDR scenes, use the brightness slider to take advantage of the 1500nit screen for hood-free outdoor monitoring.

HDR on the big screen with PQ Out

The AtomHDR engine lets you monitor a post production HDR image in the field on a 7" calibrated screen. For collaboration on set or in post, connect Shogun Inferno to HDR compatible larger screens, select the desired color space (Rec709, DCI P3 or Rec2020) and see the magic of HDR on larger screen sizes. Use the PQ input to connect from your NLE and use the Inferno as a monitor to grade HDR in Post.

4K 60P & HD 240P Recording

Shogun Inferno combines high resolution recording, high frame rate recording and playback. Record Video from both HDMI and SDI cameras direct from the sensor to 4:2:2 10-bit ProRes or DNxHR up to an amazing 4K 60p or HD 240p. Record Raw over SDI up to 4K 30p either directly to CDNG or record to ProRes or DNxHR. Playback recorded ProRes or DNxHR files via the HDMI or SDI output at the same high frame rates to supporting monitors


The Quad SDI connections offer the widest camera compatibility with 1.5G/3G/6G/12G SDI inputs and a convenient single 12G SDI output. This allows you to connect single link from SD 1.5G, HD 3G, 4K 30p 6G or 4K 60p 12G. Connect any combination of 3G connections up to Quad SDI at 4K 60p. Conveniently link a Quad SDI workflow to a single 12G workflow through the Shogun Inferno which acts as a 4 to 1 converter with 12G SDI and 4K HDMI output from the Quad input.

Simple OS, Sophisticated Shots

The Shogun Inferno is packed with an extensive suite of scopes, all 1-touch away and simple to use. The Video OS includes tools for focus, framing & exposure (Focus peaking, 2:1/1:1 zoom, Zebra, False Color, Safe Area, luma/RGB parade, vectorscope) along with a flexible 3D LUT implementation (use built-in LUTs or upload .cube files) and options for de-squeezing anamorphic content.

Continuous Power and Super Fast Charging

Inferno features Atomos' patented continuous power system - a hot swappable dual battery system that automatically swaps to the second battery when power is low. To support the dual battery system they include a blazingly fast battery charger, two 4-cell batteries and a D-Tap to DC coiled cable to ensure continuous power in the field is all but assured.

Monitor and Record XLR Audio

The Shogun Inferno has multiple audio options replacing the need for a separate audio recorder. Monitor up to 8ch of embedded HDMI audio, up to 12ch of SDI audio or use the included XLR breakout cable to connect with external microphones for balanced analogue audio with 48V phantom power.

Advanced Recording Capability

Outside of RAW and high frame rate 4:2:2 Apple ProRes / AVID DNxHR recording, the Shogun Inferno adds recording functionality not found in other recorders. Trigger start/stop recording over HDMI or SDI popular cameras, convert interlace to progressive signals on the fly with built-in 3:2 and 2:2 pulldown or use features like Pre-roll (continuous cache recording) and Time lapse to maximise your creativity.

Battle-Ready! For The Field

Atomos' built-in armor enhances protection & airflow whilst the raft of accessories (2 x NP series 4-cell batteries, fast battery charger, USB3 docking station, XLR breakout cable, Lanc cable, DC to D-Tap cable, 5 x Master Caddy cases, DC adapter & HDR sun hood) and the premium HPRC flight case ensures you're ready to hit the field immediately.


Additional Information



  • Without batteries & media: 709g / 25.0oz
  • With batteries & media: 1153g / 40.7oz
  • Dimensions (W x H x D mm): 214 x 127 x 45mm, 8.4 x 5 x 1.8”
  • Construction: High quality lightweight ABS Polycarbonate for durability & portability Built-in armor protection



  • Operating power: 10 - 27W
  • Compatible batteries: NP series and supporting accessories
  • Input voltage (battery): 6.2V to 16.8V
  • Battery time (based on 7.4V): 5200mAh - up to 1.5hrs (monitor & record 4K 30p) 7800mAh - up to 2.2hrs (monitor & record 4K 30p)
  • DC In: 1 x DC in (6.2 - 16.8V)
  • Continuous power: Primary-secondary battery system Change batteries without losing power Loop batteries continuously



  • Size: 7.1”
  • Resolution: 1920 x 1200
  • PPI: 325
  • Aspect ratio: 16:9 native
  • Color Gamut: REC709 HDTV
  • Look up table (LUT) support: 3D LUT (.cube le format)
  • Anamorphic de-squeeze: 2x, 1.5x, 1.33x, Panasonic 8:3
  • Technology: SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit



  • AtomHDR: Yes
  • Supported Log formats: Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm
  • Supported Gamuts: Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / BT2020 / DCI P3 / DCI P3+ Panasonic V Gamut Arri Alexa Wide Gamut
  • Bit depth: 10-bit (8+2 FRC)
  • Brightness: 1500nit (+/- 10%)
  • PQ in/out: In = Post   Out = Monitor: Yes / Yes


Video input/loop out

  • HDMI: 1 x HDMI (2.0)
  • SDI: Quad link 4 x 3G SDI or up to 12G single link SDI
  • Signal: Uncompressed true 10-bit or 8-bit 422 (camera dependent)


Video output (play out)

  • HDMI: 1 x HDMI (2.0)
  • SDI: 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G
  • Signal: Uncompressed true 10-bit or 8-bit 422 (playback file dependent)


Supported loop out formats

  • HDMI to HDMI: 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60
  • SDI to SDI: 720p 50/60, 1080i 50/60 1080pSF 24/25/30 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60


Video signal conversion

  • HDMI to SDI: 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60
  • SDI to HDMI: 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60


Supported Codecs & frame rates (record & playback)

  • Raw to CDNG (Record only)*: Codecs Cinema DNG for supported cameras (Sony FS5/FS7/ FS700, Canon C300MKII, C500, Panasonic Varicam RAW*)

Frame rates: 4K DCI / 4K UHD; 24/25/30p 2K / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120p

  • Raw to ProRes / DNxHR: Codecs Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB

Frame rates: 4K DCI / 4K UHD; 24/25/30/50/60p 2K*** / 1080p; 24/SF24/25/SF25/30/ SF30/50/60/100/120/200/240p

  • Video to ProRes / DNxHR: Codecs Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB

Frame rates: 4K DCI / 4K UHD; 24/25/30/50/60p 2K*** / 1080p; 24/SF24/25/SF25/30/ SF30/50/60/100/120/200/240p 1080i; 50/60i 720p; 50/60p


Onboard processing

  • Pulldown removal: 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown)
  • 4K UHD downscale for HD monitoring: Yes - Loop-out and playback (Not available in RAW)


Audio in/out (48kHz PCM audio)

  • HDMI: 2 or 8ch 24-bit, camera dependent
  • SDI: 12ch 48kHz 24-bit


  • 2ch balanced XLR analog in/out
  • Dynamic range >90dB
  • Max signal level +24dBu
  • Max analog gain +52dB
  • 48V Phantom Power for Mic


Remote start/stop

  • HDMI: Auto HDMI Trigger Supported Protocols - Canon, Sony, Atomos Open Standard
  • SDI: SDI trigger camera selectable
  • Other: LANC control - Slave



  • Playlist: Yes
  • Genlock / LTC: Yes / Yes



  • Pre-roll record: Yes (HD 8s, 4K 2s)
  • Custom timelapse: Yes
  • Meta data tagging: Yes (10 tags available)


Supported media

  • (Approved List Only): 4K / HD (50/60/120p*) SSD 2.5”, HDD (7,200 up to 1080p60)
  • HD: SSD 2.5”, HDD (5,400 up to 1080p30)
  • Master caddy case: Master Caddy II (included) 75mm x 105mm x 12mm
  • Master caddy dock: 2.5” SATA to USB 2.0/3.0
  • Supported applications: Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015
  • XML support: FCPX XML native, FCP7 supported with conversion (Adobe compatible)
  • Optional extras: Atomos HDMI cable, X-Rite calibration

What's in the box

  • Shogun Inferno unit
  • Custom yellow HPRC case
  • Control cable
  • XLR breakout cable
  • 2x NP-F750 5200mAh batteries
  • Fast battery charger
  • SATA 3/2 to USB 3/2 HDD/SSD docking station
  • DC to D-Tap coiled cable
  • Master Caddy II x 5
  • 12V-3A AC adapter x 2 (Fast charger & DC power)
  • HDR sunhood